The arts and culture editor at The Columbus Dispatch

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The arts and culture editor at The Columbus Dispatch has invited you, as an OSU student, to write an op-ed article for their website about the recent exhibition Object/Set: Gauri Gill’s Acts of Appearance that has just closed at the Columbus Museum of Art (CMA). The editor at the Dispatch has asked you to focus on the significance of the artist for the documenta 14 exhibition and its main themes and how these themes translate to the context of the CMA as part of the art scene in Columbus, Ohio, specifically in terms of your perspective as a student. They also ask that you illustrate your article with a selection of photographs from the exhibition.
Writing Assignment #2 (Op-Ed) is worth 15% of your total class grade. You will be given a percentage grade for the assignment based on the following breakdown:
Research (15%)
On Gauri Gill, her biography, career, other works, historical and cultural context, significant themes (5%)On previous installation of her work at documenta 14 (5%)On the CMA and its place in the art scene of Columbus, Ohio (5%)
Writing (70%)
Structure (10%) – your wall-text must include 4 components:Description of the installation (3%)Contexualization of the installation within documenta 14 and CMA/Columbus art scene (4%)Personal position and angle as an OSU student (3%)
Content (30%) – your op-ed is evaluated for content, specifically how you engage with Gauri Gill’s work and incorporate your research and perspective across the 3 components:Description (9%) – based on close-looking, write what you see, not only of individual photographs but the installation as a wholeContextualization (12%) based on your research on document 14 and CMA in Columbus art scenePersonal Position/Angle (9%) – that runs through the whole op-ed
Use of Writing Tools (25%) – your wall-text must show your use of writing tools learned in class (from the Williams reading) across the 3 components.Drafts 1 and 2: Final Tips First (No Fear, No Internet; Read Aloud, Make Drafts, Know and Define your Audience; Persuasion), Getting Started (Remember the First Time; Three Questions: What is it? What might it mean? Why does it matter to the world at large?); Rules of Grammar (& when to break them); Substantiation (Use Factual and Historical Evidence; Beware of Unsubstantiated Waffle; Extract Visual Evidence, Pay Attention, Follow Your Thinking, Avoid Faulty Cause and Effect) = 20%Draft 3: Practical ‘How-to’s, part 1 (Be Specific, Flesh Out Descriptions, Keep Artwork in front of you, Avoid abstract ideas – especially when explaining abstract ideas!), Keep abstract word count low, Use Solid Nouns). = 5%
Sample Solution

‘Slam Ke Naam’ is a narrative that shows the ruinous impacts of the battle executed by Hindu-patriots that underscored assembling a Ram sanctuary on the grounds of the Babri Mosque. The narrative investigates strict convictions in India and how legislative issues become possibly the most important factor to make pressure among Hindus and Muslims. Since the mid-1900’s, India was a mainstream state, yet as Hindu fundamentalists endeavored to reclassify India as exclusively a Hindu country, the country turned out to be strictly partitioned. The country was never again observed as some place where Hindus and Muslims could calmly dwell. The narrative depicts how Hindu history starts to recommend that India’s issues are every one of the an aftereffect of Muslim attack and blames. As Hindus guarantee to speak to the historical backdrop of Indian Society, we can see that religion in the narrative is depicted through the station framework, legislative issues, and viciousness. The Hindu position framework is separated into four principle classes – Brahmins (the clerics), Kshatriyas (eminence), Vaishyas (dealers), and Shudras (workers). The Brahmins, Kshatriyas, and Vaishyas are totally observed as a piece of the custom framework, and in this manner all through the film had solid convictions towards the Babri Mosque. Then again, the Shudras, at the base of the standing framework, didn’t have as a lot of interest in the debate since they were not permitted to enter the Mosque. This distinction between sentiments towards the Mosque is seen all through the narrative through the higher positions taking considerably more of a brutal demeanor towards pulverizing the Mosque as they stress disposing of Muslims and repossessing their territory. Notwithstanding, the lower rank has substantially more of a uninterested demeanor: “Hindus and Muslims are siblings. Is there any valid reason why we shouldn’t implore next to each other?” As introduced in the narrative, the lower station was significantly more faithful as they demonstrated more regard towards different religions since they didn’t accept that it was reasonable for assault others’ characters for their own. These Hindus were extremely reproachful of the higher standings battling to assemble a Ram sanctuary instead of the Babri Mosque since they themselves wouldn’t have the option to enter the sanctuary. Besides, they accepted that the cash they were attempting to gather to manufacture the sanctuary ought to be utilized for something progressively fundamental, for example, financial difficulties in India. Hence, in addition to the fact that religion caused clashes among Muslims and Hindus, yet in addition caused pressure between the higher stations and the lower standing. The narrative met a differing subset of individuals, including Hindu patriots who advocate viciousness. Ayodhya, the city holding these debates in India, has been known as the hallowed origin of Ram. The Hinduism conviction that “each youngster is Ram’s kid” made a strength that Hindus felt over Muslims as they utilized Ram’s supposed convictions to shape their own political plan. Since they accepted that each kid was a result of Ram, they accepted that their religion ought to overwhelm some other religion in India. Hindus utilized Ram as an avocation for slaughtering and viciousness despite the fact that they didn’t know without a doubt what the convictions of Ram precisely were. Decimating the mosque and supplanting it with a sanctuary shows how religion has become substantially more like a fight as opposed to convictions. Rather than putting stock in their own religion, Hindus took significantly more of a fierce and dangerous course by needing to cut another religion down. In the vicious pieces of the narrative, religion was utilized as an avocation for making a separation between two gatherings inside India. This questionable issue, which the legislature presently can’t seem to determine, has prompted a huge number of passings over years. ‘Smash Ke Naam’ inspects the manners by which Hindu fundamentalists battled, both verbally and genuinely, to rethink India as a Hindu country. The narrative investigates the dynamic of the station framework, legislative issues, and viciousness in Ayodhya. This clashing dynamic can be found in the narrative because of differentiating strict convictions among Hindus and Muslims towards the pulverization of the Babri Mosque. About Essay Sauce>
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