(Q) discussion question 5 5

Read the following:
Fantomina by Eliza Haywood.
Chapter 8 (pgs. 80-84) of A Vindication of the Rights of Woman by Mary Wollstonecraft.
Fantomina is the oldest text we’ll be reading this term. It’s from the early 1700s (over 100 years before A Doll’s House was written). As such, although it’s certainly shorter than A Doll’s House you may need to spend a little more time with it because the writing style and language use may take some getting used to. Fantomina is what we refer to as a “novella,” and by that I don’t mean a Spanish-language soap opera! A literary novella is essentially a work that is longer than a short story, but shorter than a novel. Once you’ve read the literature and the chapter from A Vindication of the Rights of Woman, get to work on the discussion. SPOILERS — Reading the questions may ruin some of the story for you, so wait until you’ve finished reading it. ;o}
Respond to the following questions:
What role does the theme of performance play in this story?
The main character invents the name “Fantomina” for herself. Why that name? What about the other names? What does the name “Beauplaisir” mean?
How is it possible that Beauplaisir would not recognize Fantomina in her other guises?
Wollstonecraft (2017) argues that “advice about behaviour and about all the various ways of preserving a good reputation—advice that has been so strenuously forced on the female world—is a glittering poison that forms a crust around morality and eats away its substance,” and she explains that this causes women to “acquire … an artificial way of behaving” (p. 80). How are Fantominaâ€s actions an example of what Wollstonecraft is referring to?
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